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“FINJA SER MI ESPOSA” — DIJO HACENDADO VIUDO A UNA JOVEN HUMILDE… SIN IMAGINAR LO QUE PASARÍA

“Pretend to be my wife,” the widowed landowner told a humble young woman, unaware of what was about to happen. Adrián Montalvo’s voice had never trembled in front of anyone, not when he buried his father at 18 and had to take over the estate, nor when he lost his wife that March afternoon, which he preferred not to remember.

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But that morning, with the paper in his hand and the lawyer sitting across the desk looking at him as if he already knew the outcome, Adrián felt something he didn’t quite recognize. Fear. “Don Adrián, if we don’t present evidence of a stable family life before the hearing, the judge will rule against us. The Villanuevas have lawyers in the capital, they have connections, and above all, they have time. You don’t.

” Adrián folded the paper slowly, placed it on the desk, stood up, and walked to the window overlooking the vineyards, that sea of ​​green and gold that his great-grandfather had planted with his own hands, that his grandfather had watered during years of drought, that his father had defended against loan sharks.

and corrupt politicians, and that now, because of a clause buried in a contract that no one had read carefully enough, it could be lost. Family stability, he said without turning around . That’s what the judge is asking for. That’s what the law requires in this type of land dispute when there’s a conditional inheritance clause. His great-grandfather signed that document.

Don Adrián stipulated that the hacienda could not be transferred or disputed as long as there was a Montalvo at the head of a constituted family. The Villanuevas found a way to use that against him. They argue that you, being a widower with no recognized direct heirs, don’t meet the condition. That’s a forced interpretation.

It is. But it’s an interpretation that a corrupt judge can accept if given sufficient reason to do so, and the Villanuevas are giving it to him. Adrián rested his knuckles on the windowsill. Outside, the workers were beginning their day among the rows of vines. Small figures moving slowly, bent over, with that particular rhythm of those who know the land.

Step on it . How much time do I have? 42 days until the hearing. 42 days. Adrián mentally reviewed what that meant. It wasn’t enough time to build anything real, but perhaps enough to build something that seemed real. Go outside, lawyer. I need to think. The lawyer gathered his papers without another word.

He knew Adrián Montalvo well enough to know that when he said he needed to think, he was already thinking, and that once he reached a conclusion, there was no way to dissuade him. What the lawyer didn’t know was the direction that thought would take . Adrián didn’t know either. That same afternoon, he went down to the vineyards.

It wasn’t something he’d done often in recent years. Since Valentina’s death, he’d let the foreman handle the day-to-day operations and shut himself away with the numbers, the contracts, the meetings with wine buyers who arrived from distant cities in suits that clashed with the dust of the road. He’d built a distance between himself and the land he once loved, as if getting too close were dangerous, as if the  The hacienda reminded him too much of her.

But that afternoon he needed to walk, he needed to feel the ground beneath his boots. It was between the seventh and eighth rows where he saw her. He hadn’t noticed her before, or if he had , he hadn’t stopped to look at her. She was a young woman, probably under 30, with dark hair tied back in a braid that the afternoon heat had half-unraveled.

She worked alone, a few meters away from the nearest group, with a striking concentration. She did n’t speak to anyone, and no one spoke to her. But what stopped Adrián most wasn’t that. It was the way she worked. There was something in her movements that wasn’t simple resignation, nor indifference.

It was a kind of quiet pride. Her hands moved with precision among the bunches, selecting, cutting, placing, without haste, without roughness, as if each grape mattered. Adrián stopped his horse. A worker passing by saw him and approached, tipping his hat. ” Don Adrián, do you need anything, that woman?”  “Woman?” he said softly, barely glancing at her.

“What’s her name?” The worker followed the direction of his eyes. Something changed in his expression. A slight, almost imperceptible discomfort. ” Lucía. Lucía Peral has been with us for about three weeks. She works well.” “Yes, sir. She’s one of the most reliable.” But the man hesitated. “But what?” “Nothing, Don Adrián, she’s a good worker.

” Adrián stared at him until the man lowered his eyes. What was he going to say? ” It’s just that people in town say things about her, about her family, things that happened a long time ago . I don’t know if they’re true, but people say a lot of things.” Adrián interrupted. “Thank you, Fermín.” The worker walked away.

Adrián continued watching Lucía Peral, who hadn’t raised her head once, or if she had , it had been so briefly that he hadn’t noticed. That night, Adrián sat for an hour in front of the unlit fireplace, with a half-finished glass of wine and the same thought.  Going around in circles. It was an idea he shouldn’t have considered. It was an idea that, if someone had suggested it to him, he would have rejected with a cold stare, but no one was suggesting it to him.

He was the one slowly nurturing it, with the same precision with which anything that doesn’t want to collapse is built. The next day he summoned his foreman, Don Porfirio, a 60-year-old man with a white mustache and the loyalty of someone who had seen three generations of Montalvos come and go. Porfirio, the new worker, Lucía Peral.

What’s going on with her, boss? Tell me what you know. Don Porfirio sat down slowly, like someone who knows that what he’s about to say requires time. She came from Cerro Azul, a town about 70 km from here. She came alone, without a recommendation, just asking for work. I gave her the opportunity because at that time we needed people and she seemed willing.

What happened in Cerro Azul? She did n’t tell me directly, but I have a cousin in that town. And I asked him, he told me that the father of the  The girl, a man named Eriiberto Peral, got involved in some shady business about four years ago. Something with land that didn’t belong to him, some forged documents, wealthy people who ended up getting hurt.

The man fled, was never seen again, and left his family, his mother and Lucía, to bear the weight of what he did. Was she involved? As far as I know, no. But in these small towns, when a father does something wrong, the daughter carries the shame. She was fired from two jobs before coming here, doors were closed to her.

There are people on the crew who don’t speak to her because of it. Adrián silently processed the information. What’s she like? Don Porfirio looked at him with a curiosity he tried to hide. Serious, quiet, doesn’t ask for anything that isn’t hers , does her job, and doesn’t cause any trouble. She’s one of those people you do n’t notice until you do, and then you can’t unnoticed.

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