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“I Can Cook, But No Man Will Love Me,” She Said — The Ranch Owner Proved Her Wrong

She finished her coffee, left a fair tip, and went to find Harker’s livery, Tom. Harker himself was a naughty, leather-faced man in his 60s, who looked her over when she came in from the cold and said nothing for a long moment. I need to rent a horse, Marlo said, and directions to Blackpur Ranch. 12 mi in this weather, Harker said. I’m aware.

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He studied her for a moment longer. Then something in his expression shifted. Not warmth exactly, but a kind of practical respect. That chest heavy? He asked, nodding at what she was carrying. Heavy enough. I got a small rig I can rent you. Horse and a two-heel cart. Easier than carrying that on horseback. He named a price. Fair, she said.

He took her out to the stable and introduced her to a grey mare named Clawudette, who was short and broad and looked at Marlo with calm, dark eyes. She knows the South Road, Harker said. You’ll pass through Crow Creek at about 7 mi. Water’s shallow, but ice is forming at the edges, so cross quick and don’t stop. Once you’re over, look for the fence line running west.

Follow it and you’ll see the ranch lights. What’s Gideon Voss like? Marlo asked, checking the harness. Parker thought about that. Difficult, he said. Lost his wife a few years back. He’s not much for conversation, runs a hard outfit, but he pays on time and doesn’t cheat his men. He paused. He’s never fired a woman cook before, if that’s what you’re asking.

Is that because he’s never hired one? Correct. Parker said. Marlo climbed up onto the cart seat, arranged her chest and bag behind her, and picked up the res. Anything else I should know? She said, “If you’re not back in 3 days, I’ll send someone to look for you.” Parker said there was no particular emotion in it. It was just a practical statement of fact. She appreciated that.

She clicked her tongue at Claudet and rolled out into the dark. The south road was a frozen track between brown fields, and the wind came at her sideways the whole way, pushing at the cart and working through every gap in her coat. The sky had cleared while she was in the eating house, and now it was enormous and black and salted with stars.

Beautiful in the way that things are beautiful when they don’t care whether you’re alive to see them or not. She thought about the doors. She’d developed a theory about closed doors over the years. There were two kinds. The first kind was closed because of something you’d done, a mistake, a wrong word, a piece of bad luck that reflected on your judgment.

Those doors you could sometimes push back open if you were willing to apologize and work hard and wait. The second kind was closed before you even knocked. Closed because of what you looked like or where you came from or something about you that had nothing to do with your actual character or ability. Those doors were different.

You couldn’t push them open from the outside no matter how much you earned it because they weren’t locked against your actions. They were locked against your existence. Red Hollow Crossings doors had been the second kind across the board. She dealt with it before. She’d deal with it again. What she had learned and learned the hard way, years and miles and more failures than she liked to count, was that the second kind of door sometimes had a back entrance.

Not always. Not often, but sometimes if you found the right situation, the right person, the right moment, you could come in a different way and get to somewhere the front door had been guarding. Black Spur Ranch might be that, might not, but it was what she had. She crossed Crow Creek at a place where the ice had broken back from the banks, and the water ran dark and shallow and fast, Claudet stepping through it without hesitation.

And on the far side, Marlo found the fence line Harker had described and turned west along it, following the wire through the dark. 20 minutes later, she saw lights. Black Spur Ranch came out of the dark slowly, the way things do when you approach them at night. First a glow that could have been anything, then the separate shapes of light through windows, then the outline of buildings, then detail. A long, low main house.

A bigger barn set back and to the right. Outbuildings ranged beyond it. A stock pen near the barn and she could hear cattle moving in the dark. That particular low sound they made when they were settled but not sleeping. It was a working ranch, not prosperous maybe, but not dead either. She pulled Clawudette up near the front of the main house and sat for a moment, feeling the cold in her fingers and her face.

A light was burning in what looked like a front room. She could see someone moving behind the curtain. She climbed down, tied Clawudette to the porch rail, picked up her chest and her bag, and knocked on the door. For a moment, nothing. Then boots on floorboards. The door opened. Gideon Voss was maybe 35, though hard weather made him hard to age precisely.

He was tall, carrying his height slightly forward like a man who’d spent years bending through low doorways. Dark hair, a week or more of beard growth. His eyes were a light gray that looked silver in the lamp light. And they were the eyes of a man who’d learned to make assessments quickly because making them slowly cost too much. He looked at her. She looked back.

I heard you might be looking for a cook, she said. Her voice was steady. She’d worked hard over the years on keeping her voice steady. He said nothing for a moment, just stood in the doorway with the warm light coming from behind him and the cold coming from everywhere else. Who told you that? He said.

a girl at the eating house on Main Street in Red Hollow Crossing. “You rode 12 mi in the dark on that story. Every door in town was closed,” she said. “This was the one option I had left.” He looked at the chest she was holding, then at her face. “It’s late,” he said. “I know.” Something moved in his expression.

Not softness, but something. Maybe the recognition that standing in the cold arguing about the lateness of the hour was itself a kind of decision. You can put your horse in the barn, he said. There’s a bunk house. It’ll be empty tonight. My hands are all in the main bunk room. I’ll talk to you in the morning. He started to close the door.

Thank you, she said. He paused, the door half closed. Don’t thank me yet, he said. I haven’t decided anything. The door closed. Marlo stood on the porch in the dark with her recipe chest in her arms and thought, “All right, that’s something.” She unhitched Clawudette, found the barn, got the mayor bedded, and watered.

The barn was clean and organized in the way of someone who cared about the work. She found an empty stall with clean straw and rolled her coat into a pillow, and put a recipe chest under her arm, and lay down in the straw, and pulled the blanket she always kept in her bag over herself. She was asleep inside 3 minutes.

The morning came and gray and cold, and the sound of it was boots on frozen ground, and the low talk of men moving between the barn and the bunk house before first light. Marlo heard them, and lay still for a moment, orienting herself, then got up, checked her face and hair in the small metal mirror she carried, put herself in order, and went to find the kitchen.

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