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Nobody Believed in Her Montana Cliff Home — Until a 14 Day Storm Buried the Valley

The Ruby Valley lay in the southwestern corner of the Montana territory, hemmed along its eastern edge by a long wall of gray limestone that rose sheer out of the grass, and in the autumn of 1886, it was a place that had not yet learned to be afraid. The summer had been generous. The grass had cured gold and waist-high along the creek bottoms.

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The cattle stood fat and slow in the cooling afternoons, and the men who ran them spoke of the coming winter the way men speak of an old acquaintance, a hard one, but a known one, survivable, the same as every year that had come before. The aspens on the lower slopes had turned and dropped their leaves. The light came thin and slanting now, and in the mornings a skin of ice lay across the still water near the banks before melting off by noon.

It was the ordinary turning of the year, and nothing in that mild and golden autumn warned the people of the Ruby Valley that the winter moving toward them out of the north would be spoken of for a hundred years, or that most of what they had built to keep it out would not survive it. Against the base of that limestone wall, where the cliff stood nearly 60 ft above the valley floor, a woman was cutting a hole into the rock.

Her name was Tamzen Kern. She was 34 years old, widowed two winters back, and from the first week of September she had been at the cliff face every day that the weather allowed. A steel drill in one hand and a 4-lb hammer in the other, driving holes into the limestone in patient, ringing strokes that carried a long way across the quiet valley.

She was not quarrying stone to build with. That was the first thing that confused the people who rode out to look. She was not hauling the rock away to raise a cabin on the flat ground like a sensible person. She was cutting into the cliff itself, opening a dark square mouth in the face of the mountain, and the deeper that mouth went, the less anyone could understand what she thought she was doing.

The riders who came out along the road to look would rein up at the foot of the wall and watch her for a while, and what they saw made no sense to them. They saw a woman in a man’s canvas coat with her sleeves pinned back, gone gray to the elbows with rock dust, setting her steel against the limestone and turning it a quarter after every blow, so the hole would run true, working with the unhurried patience of someone who has measured the whole of a task and made her peace with how long it will take.

There was no haste in her and no doubt in her, and that, more than the strangeness of the work, was the thing that unsettled the men who watched. A person doing something foolish in a fit of grief, they could have understood and pitied. This was not that. This was method. By the middle of September, the opening was tall enough to walk into upright.

By the end of the month, a man standing at the bottom of the cliff could no longer see where she went when she stepped inside, only the faint dust drifting out of the dark, the small gray heap of broken stone growing at the base of the wall, and the steady unhurried sound of iron striking stone somewhere back in the hill, ringing out over the cured grass long after the light had begun to fail.

The valley talked as valleys do. The first to put words to what everyone was thinking was a man named Josiah Frame. And when Josiah Frame spoke about building, people in the Ruby Valley listened because he had raised more than half the houses standing in it. He was a carpenter by trade and a good one, a broad, deliberate man in his 50s who had come up from Ohio with a wagon of tools and an unshakable conviction that a house was a thing you stood on open ground, square to the compass, framed in good timber, and tight

against the wind. He had built that way for 30 years and never lost a house to a winter, and he considered the matter settled. When he rode out to see the Carney woman’s work for himself, he sat his horse at the foot of the cliff for a long while and said nothing. And then he said the thing that the whole valley would repeat for the rest of the season.

He said that he had seen a great many foolish notions in his time, but never one a person dug instead of built, and that the woman was not making a home, she was digging herself a grave in the rock and would save the valley the trouble of burying her come spring. The men with him laughed because it was the kind of thing that is easy to laugh at and the name took hold before they had ridden back to the road.

They called it the burrow. They called her the badger. By the time the first hard frost silvered the valley, there was hardly a soul along the Ruby who had not heard that the widow Carnes had gone strange with grief and was tunneling into a cliff like an animal and hardly one who did not expect the winter to prove Josiah Frame right.

The talk moved through the valley along all the channels such talk moves through. It was passed across the counter at the trading post and carried home in the wagons. It was turned over on the church steps after the Sunday gathering where the women allowed that it was a sorrowful thing to see a person come apart so and the men allowed that there was no helping those who would not help themselves.

The children dared one another to ride out and peer into the dark mouth of the burrow and then galloped off shrieking as if something might come out of it after them. None of it was spoken with real cruelty. That was the strange part and the part that made it harder to bear for the valley did not hate her.

It pitied her which in a small community is its own kind of weight and the pity carried inside it the same settled certainty as the mockery, the certainty that she was wrong and that the cost of being wrong was coming. She heard the name. Sound carries in a valley and so does talk and a woman alone hears more than people think she does.

She did not answer it. She did not ride into the settlement to argue her case, did not explain herself at the trading post, or defend her work to the men who leaned on her fence to watch. She simply went back to the cliff each morning and drove her drill into the rock, and the only reply she ever gave to any of it was the steady ringing of the hammer carrying out across the valley long after the others had stopped listening for it.

To understand why Tamsen Kern trusted a cliff more than she trusted a cabin, you have to go back across an ocean to the country her father had come from. Edwin Kern had been born in the far west of Cornwall, in a parish of tin and copper mines, where men had been going down into the rock for longer than anyone could rightly say.

And he had been a hard rock miner before he was anything else. He had come to America in the great migration of Cornish miners who carried their underground craft to the silver and copper camps of the west. And he had ended his working life in the mines around Butte, a day’s ride to the north, where the Cornishmen were so common that the pasties they carried down the shafts became the food of the whole district.

Tamsen had grown up in the shadow of those workings, the headframes standing against the sky, and the men coming up out of the ground at the change of shift with their lamps still burning. And her father had taught her the thing that every Cornish miner knew in his bones, and that almost no one on the open prairie understood it all.

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