This one does not talk. This one climbs into the wheat and starts pitching bundles. And after the first hour, Tom stops wondering who he is >> [music] >> because there is no breath left over for wondering. They work. The sun comes up hard and white, and there is no shade anywhere in 40 acres. The binder cuts and ties and drops the bundles, and the two men stand them into shocks.
10 bundles to a shock. Heads up to dry, the way it has been done in that country for 60 years. It is old work. It is the work of men who cannot afford a combine, and Tom Bingham cannot afford a combine. And so it is the work of two backs and a horse-drawn machine and the hours God gives in a July day.
The big man’s hands are not soft. He has thrown a rope and broken a horse, and his palms know work. But this is not movie work. There is no lunch wagon. There is no second take. By noon, the new blisters open anyway, and he wraps them in a torn handkerchief and keeps pitching. He does not mention them. Tom sees the red soak through the cloth and says nothing either.
Because a man who has come to help does not want to hear about his own hands. Tom drives the truck now. The big man loads it. He swings the bundles up over the side rail in long easy throws, and the gold piles up on the red bed. And the dust turns to mud on his soaked shirt. A boy from the filling station comes at noon with two other boys.
They have figured out who the big man is. Word like that does not stay at a gas pump in a small county. They do not ask for anything. They do not ask for a picture or a word. They climb into the wheat and start standing shocks. Because a thing is happening in their county that they will tell their whole lives, and they want their hands in it.
The big man puts them to work without ceremony. The way you put any willing hand to work. And that is the thing they will remember longest. That he did not treat them like an audience. He treated them like crew. By dark, the first 10 acres are down and shocked, and the storm is 2 days out. The big man drinks three dippers of water at the well and does not sit down.
Because he knows that if he sits, the old man working beside him will sit, too. And a man at the end of a day like this one does not always get back up. Tom does not sit, either. They stand in the cooling field and look at what is cut and what is not. And neither of them says the number out loud. The lone man comes back the next morning.
The black sedan stops on the road. He looks at the standing shocks where yesterday there was only uncut wheat. He looks at the big man up on the truck bed, sleeves rolled, hat dark with sweat, throwing bundles. The lone man knows the face now. Everyone knows the face. He stands by his car a long time with the clipboard hanging at his side, and he does not write anything down.
“That’s not going to change the arithmetic.” he calls out. “Wheat’s got to be cut, threshed, hauled, and graded at the elevator before the note’s called.” Friday, noon. The big man does not stop throwing. “We heard you the first time.” Have you ever had someone step in beside you at the very moment you’d run out of road? Not to fix it for you, just to pick up the other end.
It changes something, doesn’t it? The second day is hotter than the first. No wind. The kind of heat that stands still over a field and presses down. They cut the back 40 where the ground rolls and the binder pulls hard. The big man does not slow. He has found the rhythm of it now. Cut, bind, stand, load. And the rhythm is the only mercy in this kind of work.
And he holds to it. The binder breaks a chain at 2:00. Tom kneels to thread it, [music] and his hands shake. They have shaken since the winter. A small thing. The kind of thing a man hides at the supper table when there is someone across it to hide it from. There is no one across it now. The chain slips through his fingers twice.
The big man crouches beside him and takes it from his hands without a word. The way you take a thing from a man so that it is help and not pity. And he threads it, and they go again. They do not talk about Ruth. A man does not open that to a stranger in a field. But when Tom looks too long at the empty truck seat, the big man sees it, and he sees what it is because he has buried people, too.
He says, “She’d have driven it better than you.” And Tom laughs, a short cracked sound, the first laugh since February, surprised out of him before grief can stop it. It is the kindest thing anyone has said to him in 5 months, and it is kind precisely because it is not soft. It is true. She would have driven it better.
The big man knew the one thing to say was the true thing. And he said it, and then he went back to throwing wheat. By dark on the second day, the wheat is down. All 40 acres standing in shocks across the whole quarter section, gold in the last light, and the storm storm is one day out. Friday morning, they thresh.
A neighbor hauls his old threshing machine over behind a tractor at first light. One of the last separators left in the county. And they set the belt and feed the shocks in. The boys come back. Two more neighbors come with their own trucks because that is what neighbors did in that country in that year.
The grain pours out the spout into the red truck, and the straw blows out the back in a long gold cloud, and the big man stands in the chaff, and the heat pitching bundles into the machine all morning, hour after hour, never out of the rhythm. The clouds are coming now, dark in the west, the first wind moving through the stubble.
There is nothing left standing to bend. They beat it. By two backs and three boys and two neighbors and one old machine, they beat it. They drive the threshed grain to the co-op elevator in Salina, load after load down the dirt road and onto the highway, >> [music] >> and the big man rides each load in. People in town stop on the sidewalk and look.
Some of them have seen the picture playing at the theater that very week. They look at the truck, and they look at the man in the truck, and they cannot make the two things fit. So, they decide they are wrong, and they go on. That is how he wanted it. The elevator man grades it. He runs it through, and he reads the dial, and he runs it again to be sure.
Number one hard red winter wheat. Dry, clean, good weight. He writes the ticket. The wheat, Tom Bingham’s wheat, off Tom Bingham’s land, cut on Tom Bingham’s own machine, comes to $2,590. The note is $2,000. Tom pays the loan company at 11:00 in the morning, 1 hour before noon, in cash off his own crop. The loan man takes the money [music] and writes “Paid in full” on the bottom of the note.
