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He Thought No One Was Listening — What Frank Sinatra Secretly Said About Neil Diamond

These were things Sinatra respected because he did them himself. In October of 1971, Neil Diamond was booked to perform at the Aladdin Hotel in Las Vegas for a two-week engagement. The Aladdin was just down the strip from Caesar’s Palace. The two shows over overlapped, both Sinatra and Diamond performing in Vegas at the same time. The press had a field day, wrote articles about the showdown, about who would draw bigger crowds, about whether the young star could compete with the legend on his home turf.

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Neil Diamond didn’t play into the rivalry narrative. In interviews, he spoke respectfully about Sinatra. Called him one of the greatest entertainers of all time. Said there was no competition because they were different kinds of artists. But that didn’t stop the press from trying to create drama. Didn’t stop fans from taking sides.

Didn’t stop Vegas insiders from making it into a contest. Frank Sinatra’s close circle of friends, the people he trusted, the ones who had been with him for years, watched all this with concern. They knew Frank’s temper, knew his pride, knew that he didn’t like being compared to anyone, especially someone young enough to be his son.

They worried that Frank might say something publicly that would create real conflict, might lash out at Diamond in an interview or from the stage. That would be bad for everyone. Bad for Frank’s reputation. Bad for Neil Diamond, who didn’t deserve it. Bad for the music industry. One of those friends was Jill Rizzo.

Jilly owned Jill Saloon in New York, Frank’s favorite hangout when he was in the city. But Jill was more than just a bar owner. He was Frank’s bodyguard, confident, traveling companion, and one of his most trusted friends. Jill had been with Frank through marriages and divorces, career highs and lows, fights and reconciliations. He knew Frank better than almost anyone.

On a Tuesday night in October, after Frank had finished his show at Caesar’s Palace, he and Jill went up to Frank’s penthouse suite on the top floor. The suite was massive, luxurious, with floor to-seeiling windows overlooking the neon spectacle of the strip below. Frank poured himself a Jack Daniels, his drink of choice, and stood at the window looking out at the lights.

Jilly poured himself a scotch and sat on the leather couch. They talked about the show, about some improvements Frank wanted to make to the arrangements of certain songs, about scheduling for the next few weeks. Then Jilly brought up the subject he had been avoiding. Frank, what do you really think about this diamond kid? All the comparisons in the press, all the talk about rivalry, it’s getting out of hand.

You going to say something about it? Frank was quiet for a long moment, took a sip of his drink, kept looking out at the lights. What Jilly didn’t know was that someone else was in the penthouse, not in the room with them, but in the bedroom next door. One of the hotel staff, a maid who had come up to turn down the bed and prepare the room for the night.

She had been taught to be invisible, to do her work quietly without disturbing the guests. When Frank and Jill had come in, she had frozen in the bedroom, not wanting to interrupt their private conversation. She decided to wait until they left or went to another room. Then she would slip out unnoticed, but she couldn’t help hearing their conversation through the open bedroom door, and what she heard next would become one of the most talked about moments in music history, though it would be years before anyone knew about it. Frank finally spoke. You

want to know what I think about Neil Diamond? I’ll tell you what I think. The man’s a hell of a talent. Writes his own material, which is more than most of these pop singers can say. Sings with real emotion, not just technical skill. connects with his audience in a genuine way and he’s humble about it.

Doesn’t strut around acting like he’s God’s gift to music. Jilly was surprised. He had expected Frank to be dismissive or competitive. This is not what you’ve been saying to the press. You’ve been kind of dismissive. Frank turned from the window. That’s because the press are idiots trying to create a fight where there isn’t one.

They want me to trash the kid so they can write a headline. I’m not giving them that satisfaction, but between you and me, Neil Diamond is the real deal. Frank walked over and sat in the chair across from Jilly, refilled both their glasses. You know what the problem is with most young singers today? They’re lazy.

They want fame and money, but they don’t want to put in the work. They don’t study the craft. They don’t learn how to really sing, how to interpret a lyric, how to build a show that takes the audience on a journey. Neil Diamond does all of that. The kid works his ass off. Jilly smiled. So you respect him? Frank nodded.

I respect the hell out of him. He reminds me of me when I was coming up. Hungry, dedicated, willing to do whatever it takes to be great. The difference is he writes his own songs and I never could. That gives him something I never had. Complete creative control. But here’s what kills me, Frank continued. The press keeps asking if I’m threatened by him.

Threatened? Why the hell would I be threatened? The music business isn’t a zero sum game. Him doing well doesn’t mean I’m doing badly. There’s room for both of us. There’s room for a hundred talented singers if they’re good enough. The only people who think success is about knocking someone else down are people who’ve never actually been successful.

Frank took another drink. And you know what else? Neil Diamond makes my job easier. You know how? because he’s keeping the standards high. He’s showing audiences what a real singer sounds like. What real songs sound like in a world full of bubblegum pop and manufactured groups. He’s doing something authentic.

That raises the bar for everyone. That’s good for the industry. That’s good for me. Jill leaned forward. You should tell him that. Tell him what you just told me. Frank shook his head. Why? So the press can make it into some big moment. Turn it into a publicity stunt. No, the kid doesn’t need my approval. He’s doing just fine on his own, and I don’t need the press turning a private compliment into a three- ring circus.

But you like his music, Jilly pressed. You actually listen to his records. Frank smiled, a real smile. Not the performance smile he gave audiences, but the genuine smile he reserved for friends. I’ll tell you something I haven’t told anyone. Last week, I was in the car and sweet Caroline came on the radio and I turned it up, listened to the whole thing.

And when it was over, I thought to myself, “That’s a damn good song. Perfect for what it is. Simple, emotional, memorable. Everything a great song should be.” Then Frank’s expression became more serious. Here’s what I respect most about Neil Diamond. He doesn’t try to be me. He doesn’t try to copy the Soninatra style or compete on my territory.

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